Portal:Theatre

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Ancient Greece theatre in Taormina, Sicily, Italy

Theatre or theater is a collaborative form of performing art that uses live performers, usually actors or actresses, to present the experience of a real or imagined event before a live audience in a specific place, often a stage. The performers may communicate this experience to the audience through combinations of gesture, speech, song, music, and dance. It is the oldest form of drama, though live theatre has now been joined by modern recorded forms. Elements of art, such as painted scenery and stagecraft such as lighting are used to enhance the physicality, presence and immediacy of the experience. Places, normally buildings, where performances regularly take place are also called "theatres" (or "theaters"), as derived from the Ancient Greek θέατρον (théatron, "a place for viewing"), itself from θεάομαι (theáomai, "to see", "to watch", "to observe").

A theatre company is an organisation that produces theatrical performances, as distinct from a theatre troupe (or acting company), which is a group of theatrical performers working together. (Full article...)

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Gladiators shown on the late Roman Gladiator Mosaic
The inaugural games of the Flavian Amphitheatre were held in 80 AD, on the orders of the Roman Emperor Titus, to celebrate the completion of the Colosseum, then known as the Flavian Amphitheatre. Vespasian began construction of the amphitheatre around 70 AD, and it was completed by Titus soon after Vespasian's death in 79 AD. After Titus' reign began with months of disasters, including the eruption of Mount Vesuvius, a fire in Rome, and an outbreak of plague, he inaugurated the building with lavish games which lasted for more than a hundred days, perhaps partially in an attempt to appease the Roman public and the gods. Little documentary evidence of the nature of the games remains. They appear to have followed the standard format of the Roman games: animal entertainments in the morning session, followed by the executions of criminals around midday, with the afternoon session reserved for gladiatorial combats and recreations of famous battles. Only three contemporary or near-contemporary accounts of the games survive. The works of Suetonius and Cassius Dio focus on major events, while Martial provides some fragments of information on individual entertainments and the only detailed record of a gladiatorial combat in the arena to survive to the present day: the fight between Verus and Priscus.

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John Barrymore
John Barrymore (1882–1942) was an American actor on stage, screen and radio. Born into a theatrical dynasty, he initially tried to avoid the stage, briefly attempting a career as an artist, but he soon followed his father Maurice and siblings Ethel and Lionel into acting. After beginning in light comedy, he moved to high stage drama, culminating in productions of Justice (1916), Richard III (1920), and especially Hamlet (1922), a role critics lavishly praised him for. After his stage career peaked, he turned entirely to cinema for the next 14 years, initially in silent films. His stage-trained voice proved an asset when sound films were introduced, and three of his works have been inducted into the National Film Registry. His personal life has been the subject of much attention before and since his death. He struggled with alcohol abuse from the age of 14, was married and divorced four times, and declared bankruptcy in his fifties. Much of his later work involved self-parody and the portrayal of drunken has-beens. A hugely influential actor whose talent still shapes Shakespearean acting today, his later career and private life were seen by the obituarists as a waste of a once-great talent.

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Oscar Levant
Musicals - a series of catastrophes ending with a floor show.

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