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  • Image 16 Raisbeck in Scotland colours (yellow and pink), c. 1901 Alexander Galloway Raisbeck (26 December 1878 – 12 March 1949) was a Scottish professional football player and manager. After playing junior football for Larkhall Thistle, he was signed by Hibernian where he made his professional debut at the age of 17. Despite playing only ten matches in his first season, he was chosen to represent a Scottish League XI in a match against their Irish counterparts. In 1898, he joined English First Division side Stoke on a short term deal at the end of the 1897–98 season, playing in four league matches and four Football League test matches to help the club avoid relegation. His form attracted attention from other clubs and he signed for Liverpool in May 1898. He quickly established himself in the first-team and was appointed club captain after two seasons at the age of 21, leading the side to their first ever league title in 1901. Liverpool were relegated in 1904 and Raisbeck subsequently cancelled his plans to leave the club to help them win promotion back to the First Division at the first attempt, winning the Second Division title in 1905. (Full article...)

    Raisbeck in Scotland colours (yellow and pink), c. 1901

    Alexander Galloway Raisbeck (26 December 1878 – 12 March 1949) was a Scottish professional football player and manager. After playing junior football for Larkhall Thistle, he was signed by Hibernian where he made his professional debut at the age of 17. Despite playing only ten matches in his first season, he was chosen to represent a Scottish League XI in a match against their Irish counterparts.

    In 1898, he joined English First Division side Stoke on a short term deal at the end of the 1897–98 season, playing in four league matches and four Football League test matches to help the club avoid relegation. His form attracted attention from other clubs and he signed for Liverpool in May 1898. He quickly established himself in the first-team and was appointed club captain after two seasons at the age of 21, leading the side to their first ever league title in 1901. Liverpool were relegated in 1904 and Raisbeck subsequently cancelled his plans to leave the club to help them win promotion back to the First Division at the first attempt, winning the Second Division title in 1905. (Full article...)
  • Image 17 Cow on Dartmoor, in south-west England The Highland (Scottish Gaelic: Bò Ghàidhealach; Scots: Heilan coo) is a Scottish breed of rustic cattle. It originated in the Scottish Highlands and the Western Islands of Scotland and has long horns and a long shaggy coat. It is a hardy breed, able to withstand the intemperate conditions in the region. The first herd-book dates from 1885; two types – a smaller island type, usually black, and a larger mainland type, usually dun – were registered as a single breed. It is reared primarily for beef, and has been exported to several other countries. (Full article...)

    Cow on Dartmoor, in south-west England

    The Highland (Scottish Gaelic: Bò Ghàidhealach; Scots: Heilan coo) is a Scottish breed of rustic cattle. It originated in the Scottish Highlands and the Western Islands of Scotland and has long horns and a long shaggy coat. It is a hardy breed, able to withstand the intemperate conditions in the region. The first herd-book dates from 1885; two types – a smaller island type, usually black, and a larger mainland type, usually dun – were registered as a single breed. It is reared primarily for beef, and has been exported to several other countries. (Full article...)
  • Image 18 Mary Docherty (27 April 1908 – 2 February 2000) was a British activist and member of the Communist Party of Great Britain. Born to a working-class family in Cowdenbeath, Scotland, she was influenced by the communist beliefs of her father, a miner, as well as by the poverty she grew up in. She joined the Communist Party at the age of 18, and in 1929 traveled to the Soviet Union as a Scottish delegate to a gathering of young communists. She founded a local children's wing of the Communist Party, carried out a successful agitation to declare 1 May a school holiday, and worked for communist Member of Parliament Willie Gallacher. She retired from active politics at the age of 60, but continued to give talks and write her memoirs, published in 1991 as A Miner's Lass. (Full article...)
    Mary Docherty (27 April 1908 – 2 February 2000) was a British activist and member of the Communist Party of Great Britain. Born to a working-class family in Cowdenbeath, Scotland, she was influenced by the communist beliefs of her father, a miner, as well as by the poverty she grew up in. She joined the Communist Party at the age of 18, and in 1929 traveled to the Soviet Union as a Scottish delegate to a gathering of young communists. She founded a local children's wing of the Communist Party, carried out a successful agitation to declare 1 May a school holiday, and worked for communist Member of Parliament Willie Gallacher. She retired from active politics at the age of 60, but continued to give talks and write her memoirs, published in 1991 as A Miner's Lass. (Full article...)
  • Image 19 Part of the combination of sculpture and landscape used at Ian Hamilton Finlay's Little Sparta Scottish art is the body of visual art made in what is now Scotland, or about Scottish subjects, since prehistoric times. It forms a distinctive tradition within European art, but the political union with England has led its partial subsumation in British art. The earliest examples of art from what is now Scotland are highly decorated carved stone balls from the Neolithic period. From the Bronze Age there are examples of carvings, including the first representations of objects, and cup and ring marks. More extensive Scottish examples of patterned objects and gold work are found the Iron Age. Elaborately carved Pictish stones and impressive metalwork emerged in Scotland the early Middle Ages. The development of a common style of Insular art across Great Britain and Ireland influenced elaborate jewellery and illuminated manuscripts such as the Book of Kells. Only isolated examples survive of native artwork from the late Middle Ages and of works created or strongly influenced by artists of Flemish origin. The influence of the Renaissance can be seen in stone carving and painting from the fifteenth century. In the sixteenth century the crown began to employ Flemish court painters who have left a portrait record of royalty. The Reformation removed a major source of patronage for art and limited the level of public display, but may have helped in the growth of secular domestic forms, particularly elaborate painting of roofs and walls. Although the loss of the court as a result of the Union of Crowns in 1603 removed another major source of patronage, the seventeenth century saw the emergence of the first significant native artists for whom names are extant, with figures such as George Jamesone and John Michael Wright. (Full article...)
    Part of the combination of sculpture and landscape used at Ian Hamilton Finlay's Little Sparta

    Scottish art is the body of visual art made in what is now Scotland, or about Scottish subjects, since prehistoric times. It forms a distinctive tradition within European art, but the political union with England has led its partial subsumation in British art.

    The earliest examples of art from what is now Scotland are highly decorated carved stone balls from the Neolithic period. From the Bronze Age there are examples of carvings, including the first representations of objects, and cup and ring marks. More extensive Scottish examples of patterned objects and gold work are found the Iron Age. Elaborately carved Pictish stones and impressive metalwork emerged in Scotland the early Middle Ages. The development of a common style of Insular art across Great Britain and Ireland influenced elaborate jewellery and illuminated manuscripts such as the Book of Kells. Only isolated examples survive of native artwork from the late Middle Ages and of works created or strongly influenced by artists of Flemish origin. The influence of the Renaissance can be seen in stone carving and painting from the fifteenth century. In the sixteenth century the crown began to employ Flemish court painters who have left a portrait record of royalty. The Reformation removed a major source of patronage for art and limited the level of public display, but may have helped in the growth of secular domestic forms, particularly elaborate painting of roofs and walls. Although the loss of the court as a result of the Union of Crowns in 1603 removed another major source of patronage, the seventeenth century saw the emergence of the first significant native artists for whom names are extant, with figures such as George Jamesone and John Michael Wright. (Full article...)
  • Image 20 The motte at Tibbers Castle Tibbers Castle is a motte-and-bailey castle overlooking a ford across the River Nith in Dumfries and Galloway, Scotland. To the east is the village of Carronbridge and to the north west is a 16th-century country house, Drumlanrig Castle. Possibly built in the 12th or 13th century, Tibbers was first documented in 1298 at which point the timber castle was replaced by a stone castle. It was the administrative centre of the barony of Tibbers until the second half of the 14th century when it shifted to nearby Morton. During the Anglo-Scottish Wars of the early 14th century the castle was captured by first the Scots under Robert the Bruce and then the English, before returning to Scottish control in 1313. (Full article...)

    The motte at Tibbers Castle

    Tibbers Castle is a motte-and-bailey castle overlooking a ford across the River Nith in Dumfries and Galloway, Scotland. To the east is the village of Carronbridge and to the north west is a 16th-century country house, Drumlanrig Castle.

    Possibly built in the 12th or 13th century, Tibbers was first documented in 1298 at which point the timber castle was replaced by a stone castle. It was the administrative centre of the barony of Tibbers until the second half of the 14th century when it shifted to nearby Morton. During the Anglo-Scottish Wars of the early 14th century the castle was captured by first the Scots under Robert the Bruce and then the English, before returning to Scottish control in 1313. (Full article...)
  • Image 21 Dickov playing for Leicester City in 2008 Paul Dickov (born 1 November 1972) is a Scottish former professional football manager and player; he currently works as a television pundit, namely for Manchester City TV. Dickov played as a forward from 1990 to 2011, starting his career with Arsenal. He won the UEFA Cup Winners' Cup in 1994 with Arsenal, but struggled to hold a place in the first team and spent time on loan with Luton Town and Brighton & Hove Albion before moving to Manchester City in 1996. Over six seasons at the club, Dickov experienced two promotions and two relegations, playing in three different divisions. Dickov left in 2002 to join Leicester City, where he stayed for two seasons and, in 2004, he signed for Blackburn Rovers, and was part of the team which qualified for the UEFA Cup in 2005–06. Upon the expiry of his Blackburn contract in 2006, he rejoined Manchester City and later went on to play for Crystal Palace, Blackpool, Leicester City again, Derby County, and Leeds United. (Full article...)

    Dickov playing for Leicester City in 2008

    Paul Dickov (born 1 November 1972) is a Scottish former professional football manager and player; he currently works as a television pundit, namely for Manchester City TV.

    Dickov played as a forward from 1990 to 2011, starting his career with Arsenal. He won the UEFA Cup Winners' Cup in 1994 with Arsenal, but struggled to hold a place in the first team and spent time on loan with Luton Town and Brighton & Hove Albion before moving to Manchester City in 1996. Over six seasons at the club, Dickov experienced two promotions and two relegations, playing in three different divisions. Dickov left in 2002 to join Leicester City, where he stayed for two seasons and, in 2004, he signed for Blackburn Rovers, and was part of the team which qualified for the UEFA Cup in 2005–06. Upon the expiry of his Blackburn contract in 2006, he rejoined Manchester City and later went on to play for Crystal Palace, Blackpool, Leicester City again, Derby County, and Leeds United. (Full article...)
  • Image 22 Romanticism in Scotland was an artistic, literary and intellectual movement that developed between the late eighteenth and the early nineteenth centuries. It was part of the wider European Romantic movement, which was partly a reaction against the Age of Enlightenment, emphasising individual, national and emotional responses, moving beyond Renaissance and Classicist models, particularly into nostalgia for the Middle Ages. The concept of a separate national Scottish Romanticism was first articulated by the critics Ian Duncan and Murray Pittock in the Scottish Romanticism in World Literatures Conference held at UC Berkeley in 2006 and in the latter's Scottish and Irish Romanticism (2008), which argued for a national Romanticism based on the concepts of a distinct national public sphere and differentiated inflection of literary genres; the use of Scots language; the creation of a heroic national history through an Ossianic or Scottian 'taxonomy of glory' and the performance of a distinct national self in diaspora. In the arts, Romanticism manifested itself in literature and drama in the adoption of the mythical bard Ossian, the exploration of national poetry in the work of Robert Burns and in the historical novels of Walter Scott. Scott also had a major impact on the development of a national Scottish drama. Art was heavily influenced by Ossian and a new view of the Highlands as the location of a wild and dramatic landscape. Scott profoundly affected architecture through his re-building of Abbotsford House in the early nineteenth century, which set off the boom in the Scots Baronial revival. In music, Burns was part of an attempt to produce a canon of Scottish song, which resulted in a cross fertilisation of Scottish and continental classical music, with romantic music becoming dominant in Scotland into the twentieth century. (Full article...)
    Romanticism in Scotland was an artistic, literary and intellectual movement that developed between the late eighteenth and the early nineteenth centuries. It was part of the wider European Romantic movement, which was partly a reaction against the Age of Enlightenment, emphasising individual, national and emotional responses, moving beyond Renaissance and Classicist models, particularly into nostalgia for the Middle Ages. The concept of a separate national Scottish Romanticism was first articulated by the critics Ian Duncan and Murray Pittock in the Scottish Romanticism in World Literatures Conference held at UC Berkeley in 2006 and in the latter's Scottish and Irish Romanticism (2008), which argued for a national Romanticism based on the concepts of a distinct national public sphere and differentiated inflection of literary genres; the use of Scots language; the creation of a heroic national history through an Ossianic or Scottian 'taxonomy of glory' and the performance of a distinct national self in diaspora.

    In the arts, Romanticism manifested itself in literature and drama in the adoption of the mythical bard Ossian, the exploration of national poetry in the work of Robert Burns and in the historical novels of Walter Scott. Scott also had a major impact on the development of a national Scottish drama. Art was heavily influenced by Ossian and a new view of the Highlands as the location of a wild and dramatic landscape. Scott profoundly affected architecture through his re-building of Abbotsford House in the early nineteenth century, which set off the boom in the Scots Baronial revival. In music, Burns was part of an attempt to produce a canon of Scottish song, which resulted in a cross fertilisation of Scottish and continental classical music, with romantic music becoming dominant in Scotland into the twentieth century. (Full article...)
  • Image 23 The recorded history of Scotland begins with the arrival of the Roman Empire in the 1st century, when the province of Britannia reached as far north as the Antonine Wall. North of this was Caledonia, inhabited by the Picti, whose uprisings forced Rome's legions back to Hadrian's Wall. As Rome finally withdrew from Britain, a Gaelic tribe from Ireland called the Scoti began colonising Western Scotland and Wales. Before Roman times, prehistoric Scotland entered the Neolithic Era about 4000 BC, the Bronze Age about 2000 BC, and the Iron Age around 700 BC. The Gaelic kingdom of Dál Riata was founded on the west coast of Scotland in the 6th century. In the following century, Irish missionaries introduced the previously pagan Picts to Celtic Christianity. Following England's Gregorian mission, the Pictish king Nechtan chose to abolish most Celtic practices in favour of the Roman rite, restricting Gaelic influence on his kingdom and avoiding war with Anglian Northumbria. Towards the end of the 8th century, the Viking invasions began, forcing the Picts and Gaels to cease their historic hostility to each other and to unite in the 9th century, forming the Kingdom of Scotland. (Full article...)
    The recorded history of Scotland begins with the arrival of the Roman Empire in the 1st century, when the province of Britannia reached as far north as the Antonine Wall. North of this was Caledonia, inhabited by the Picti, whose uprisings forced Rome's legions back to Hadrian's Wall. As Rome finally withdrew from Britain, a Gaelic tribe from Ireland called the Scoti began colonising Western Scotland and Wales. Before Roman times, prehistoric Scotland entered the Neolithic Era about 4000 BC, the Bronze Age about 2000 BC, and the Iron Age around 700 BC.

    The Gaelic kingdom of Dál Riata was founded on the west coast of Scotland in the 6th century. In the following century, Irish missionaries introduced the previously pagan Picts to Celtic Christianity. Following England's Gregorian mission, the Pictish king Nechtan chose to abolish most Celtic practices in favour of the Roman rite, restricting Gaelic influence on his kingdom and avoiding war with Anglian Northumbria. Towards the end of the 8th century, the Viking invasions began, forcing the Picts and Gaels to cease their historic hostility to each other and to unite in the 9th century, forming the Kingdom of Scotland. (Full article...)
  • Image 24 West elevation St Peter's Roman Catholic Church is a large mid-nineteenth century church in Buckie, Moray, Scotland. Known locally as the Buckie Cathedral, it was built between 1851 and 1857, soon after the emancipation of Catholics in Scotland, to provide a place of worship for the local Catholic congregation. It was designed by James Kyle, Catholic bishop of Aberdeen, and built on land donated to the diocese by Sir William Gordon, Baronet of Letterfourie. It was extended and redecorated in the early twentieth century by Charles Ménart, and was designated a Category A listed building in 1972. It remains an active place of worship, under the governance of the Roman Catholic Diocese of Aberdeen. (Full article...)

    West elevation

    St Peter's Roman Catholic Church is a large mid-nineteenth century church in Buckie, Moray, Scotland. Known locally as the Buckie Cathedral, it was built between 1851 and 1857, soon after the emancipation of Catholics in Scotland, to provide a place of worship for the local Catholic congregation. It was designed by James Kyle, Catholic bishop of Aberdeen, and built on land donated to the diocese by Sir William Gordon, Baronet of Letterfourie. It was extended and redecorated in the early twentieth century by Charles Ménart, and was designated a Category A listed building in 1972. It remains an active place of worship, under the governance of the Roman Catholic Diocese of Aberdeen. (Full article...)
  • Image 25 Lieutenant-General Sir James Campbell, KB (c. 1680 – 11 May 1745) was a Scottish military officer and Whig politician who sat in the British House of Commons from 1727 to 1741, representing the constituency of Ayrshire. A distinguished cavalry officer, Campbell began his military career at a young age and fought in several conflicts of the Second Hundred Years' War, along with serving as the governor of Edinburgh Castle from 1738 until his death in 1745. Born in Lawers, Perthshire into an aristocratic Scottish family, Campbell joined the Scots Army when he was just thirteen years old. During the War of the Spanish Succession, Campbell served in Europe in the Royal North British Dragoons, fighting in the battles of Blenheim, Oudenarde and Malplaquet and rising to the rank of lieutenant-colonel. Following the war's end, Campbell became involved in politics, supporting the succession of the House of Hanover. (Full article...)

    Lieutenant-General Sir James Campbell, KB (c. 1680 – 11 May 1745) was a Scottish military officer and Whig politician who sat in the British House of Commons from 1727 to 1741, representing the constituency of Ayrshire. A distinguished cavalry officer, Campbell began his military career at a young age and fought in several conflicts of the Second Hundred Years' War, along with serving as the governor of Edinburgh Castle from 1738 until his death in 1745.

    Born in Lawers, Perthshire into an aristocratic Scottish family, Campbell joined the Scots Army when he was just thirteen years old. During the War of the Spanish Succession, Campbell served in Europe in the Royal North British Dragoons, fighting in the battles of Blenheim, Oudenarde and Malplaquet and rising to the rank of lieutenant-colonel. Following the war's end, Campbell became involved in politics, supporting the succession of the House of Hanover. (Full article...)
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