Myth is a genre of folklore or theology consisting primarily of narratives that play a fundamental role in a society, such as foundational tales or origin myths. For folklorists, historians, philosophers or theologians this is very different from the use of "myth" simply indicating that something is not true. Instead, the truth value of a myth is not a defining criterion.
Myths are often endorsed by secular and religious authorities and are closely linked to religion or spirituality. Many societies group their myths, legends, and history together, considering myths and legends to be true accounts of their remote past. In particular, creation myths take place in a primordial age when the world had not achieved its later form. Other myths explain how a society's customs, institutions, and taboos were established and sanctified. There is a complex relationship between recital of myths and the enactment of rituals. (Full article...)
Symbols of various deities, including Anu (bottom right corner) on a kudurru of Ritti-Marduk, from Sippar, Iraq, 1125–1104 BCE
Anu (Akkadian: 𒀭𒀭ANU, from 𒀭an "Sky", "Heaven") or Anum, originally An (Sumerian: 𒀭An), was the divine personification of the sky, king of the gods, and ancestor of many of the deities in ancient Mesopotamian religion. He was regarded as a source of both divine and human kingship, and opens the enumerations of deities in many Mesopotamian texts. At the same time, his role was largely passive, and he was not commonly worshipped. It is sometimes proposed that the Eanna temple located in Uruk originally belonged to him, rather than Inanna, but while he is well attested as one of its divine inhabitants, there is no evidence that the main deity of the temple ever changed, and Inanna was already associated with it in the earliest sources. After it declined, a new theological system developed in the same city under Seleucid rule, resulting in Anu being redefined as an active deity. As a result he was actively worshipped by inhabitants of the city in the final centuries of the history of ancient Mesopotamia.
Multiple traditions regarding the identity of Anu's spouse existed, though three of them—Ki, Urash, and Antu—were at various points in time equated with each other, and all three represented earth, similar to how he represented heaven. In a fourth tradition, more sparsely attested, his wife was the goddess Nammu instead. In addition to listing his spouses and children, god lists also often enumerated his various ancestors, such as Anshar or Alala. A variant of one such family tree formed the basis of the Enūma Eliš. (Full article...)
The boobrie is a mythological shapeshifting entity inhabiting the lochs of the west coast of Scotland. It commonly adopts the appearance of a gigantic water bird resembling a cormorant or great northern diver, but it can also materialise in the form of various other mythological creatures such as a water bull.
A generally malevolent entity, the boobrie typically preys on livestock being transported on ships, but it is also fond of otters, of which it consumes a considerable number. In its manifestation as a water horse the creature is able to gallop across the top of lochs as if on solid ground. During the summer months it is seen infrequently as a large insect, sucking the blood of horses. (Full article...)
Image 16Amenonuhoko (天沼矛 or 天之瓊矛 or 天瓊戈, "heavenly jeweled spear") is the name given to the spear in Shinto used to raise the primordial land-mass, Onogoro-shima, from the sea (from List of mythological objects)
Image 19This panel by Bartolomeo di Giovanni relates the second half of the Metamorphoses. In the upper left, Jupiter emerges from clouds to order Mercury to rescue Io. (from Myth)
Image 22Lord Vishnu took the form of Beauty Mohini and distributed the Amrita (Ambrosia, Elixir) to Devas. When Rahu (snake dragon) tried to steal the Amrita, his head was cut off (from List of mythological objects)
Image 40Sampo, a magical artifact of indeterminate type constructed by Ilmarinen that brought riches and good fortune to its holder, in the Finnish epic poetryKalevala (The Forging of the Sampo, Joseph Alanen, 1911) (from List of mythological objects)
Image 55Several mythical creatures from Bilderbuch für Kinder (lit.'picture book for children') between 1790 and 1822, by Friedrich Justin Bertuch (from Legendary creature)
Image 57As is usual in bestiaries, the lynx in this late 13th-century English manuscript is shown urinating, the urine turning to the mythical stone Lyngurium (from List of mythological objects)
Image 67Opening lines of one of the Mabinogi myths from the Red Book of Hergest (written pre-13c, incorporating pre-Roman myths of Celtic gods): Gereint vab Erbin. Arthur a deuodes dala llys yg Caerllion ar Wysc... (Geraint the son of Erbin. Arthur was accustomed to hold his Court at Caerlleon upon Usk...) (from Myth)
Image 70The Stone of Destiny (Lia Fáil) at the Hill of Tara, once used as a coronation stone for the High Kings of Ireland (from List of mythological objects)
Image 76The Deluge, frontispiece to Gustave Doré's illustrated edition of the Bible. Based on the story of Noah's Ark, this engraving shows humans and a tiger doomed by the flood futilely attempting to save their children and cubs. (from Comparative mythology)