Kuo Po-Chuan

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Kuo Po-Chuan (Chinese:郭柏川, July 21, 1901 – January 23, 1974), courtesy name Shaosong (少松), was a Taiwanese artist and art educator born in Tainan, Taiwan.[1]: 286 [2][3]: 169 

Life[edit]

In 1910, Kuo Po-Chuan enrolled in Tainan Second Public School (now Liren Elementary School, 立人國小) and in 1916, he passed the entrance exam for the Taipei National Language School's Public School Teacher Training Department B (臺北國語學校公學師範部乙科). After graduating in 1921, he returned to his hometown and began teaching. In 1928, with his expertise in art, he was admitted to the Western Painting Department of Tokyo School of Fine Arts (now Tokyo University of the Arts), studying under the guidance of Okada Saburosuke (岡田三郎助).[4]: 16  [1]: 287  After graduating in 1933, he stayed in Japan for further studies. In 1937, he traveled to Northeast China from Japan and engaged in sketching in Manchukuo (滿洲國).[5]: 212 

In 1938, he taught at the North China Normal University (北平師範大學) and the North China Art College (北平藝專). Between 1939 and 1943, he served as the translator and guide for Ryuzaburo Umehara (梅原龍三郎) during Umehara's sketching trips in Beijing.[5]: 212  In 1940, Kuo Po-Chuan married Zhu Wanhua (朱婉華), a Beijing native, and their wedding ceremony was celebrated with a march composed by the Taiwanese musician Chiang Wenyeh (江文也) in Beijing.[1]: 289  In 1948, due to the Chinese Civil War, he moved back to Taiwan with his family, settling in Tainan. He taught at the Department of Architecture at Tainan Institute of Technology (now National Cheng Kung University, 國立成功大學)[1]: 20–21  and founded the Tainan Art Association. Kuo Po-Chuan passed away in 1974.[6]

Artistic Style[edit]

Kuo Po-Chuan's paintings mainly focused on landscapes, portraits, and still life. Starting in 1943, he began creating oil paintings on rice paper. His painting style is concise with meticulous compositions, often incorporating traditional colors found in common folk objects and buildings, such as vermilion and blue-and-white. The lines are lively, and the fusion of Eastern and Western elements is considered one of his distinctive features.[7]: 418–421  [8]: 186 [9][10]

Former Residence[edit]

Kuo Po-Chuan's former residence is located at 27, Lane 321, Park Road, Tainan City. His daughter, Kuo Weimei (郭為美), funded the renovation of the residence and established the "Kuo Po-Chuan Memorial Museum."[11][12] The area was originally the official residences of the Japanese Infantry Second Regiment (now designated as a city historic site "Former Japanese Infantry Second Regiment Official Residence Group") and is currently known as the "321 Art Cluster (三二一藝術群聚)."[13]

References[edit]

  1. ^ a b c d 黃, 才郎 (1993). 《臺灣美術全集10 郭柏川》. 臺北市: 藝術家.
  2. ^ 潘顯仁 (2020). "國美館典藏《郭柏川夫人》". 國美典藏. Retrieved 2023-10-16.
  3. ^ 李, 欽賢 (2020). 《臺灣美術史辭典1.0》. 臺北市: 國立歷史博物館.
  4. ^ 林, 明賢等 (2019). 《臺灣美術典藏百選》. 臺中市: 國立台灣美術館.
  5. ^ a b 顏, 娟英等 (2022). 《臺灣美術兩百年 摩登時代》. 臺北市: 春山出版.
  6. ^ 陳, 凱劭 (2008-01-19). "郭柏川與楊三郎". 陳凱劭的BLOG (in Chinese (Taiwan)). Archived from the original on 2019-05-03. Retrieved 2023-12-04.
  7. ^ 李, 欽賢 (2002). 《北國新人生．南國陽光新風格--郭柏川的藝術「放浪記」》. 臺北市: 藝術家雜誌.
  8. ^ 林, 明賢 (2004). 《撞擊與生發－戰後台灣現代藝術的發展（1945－1987）》. 國立台灣美術館.
  9. ^ 朱銘美術館. "郭柏川 - 風景". Retrieved 2023-10-16.
  10. ^ 臺南市文化局. "郭柏川". 臺南研究資料庫. Retrieved 2023-10-17.
  11. ^ 劉, 婉君 (2015-11-10). "南市歷史名人郭柏川故居掛牌 將成紀念館". 自由時報. Archived from the original on 2023-08-12. Retrieved 2023-08-11.
  12. ^ "郭柏川故居空間簡介". 臺南市文化局-臺南研究資料庫. Archived from the original on 2023-08-11. Retrieved 2023-08-11.
  13. ^ 孟慶慈 (2013-07-16). "郭柏川紀念館 女兒重現老家". 自由時報電子報. Retrieved 2023-10-17.
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