Draft:Smita N. Kinkale

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  • Comment: The only substantive change since the last decline has been the addition of a new source, a WordPress blog, which does nothing to help establish notability. My recommendation would be to reject this as non-notable, but I will leave the decision for another reviewer, as I have already declined this twice. DoubleGrazing (talk) 11:36, 10 December 2023 (UTC)
  • Comment: Please remove external links from the article (some might be appropriate to use as references). Critics reviews should be much shorter. Quotes, critics reviews, and all other information should have references to reliable published sources. Please convert the table to {{Infobox artist}}. GoingBatty (talk) 14:53, 8 December 2023 (UTC)
  • Comment: Resubmitted without any improvement. DoubleGrazing (talk) 12:08, 8 December 2023 (UTC)
  • Comment: Remove external links and unreliable sources as per WP:EL and WP:UGC, before resubmitting. Ratnahastin (talk) 10:46, 8 December 2023 (UTC)



Smita N. Kinkale, (born 1977, in Pune)[1] is a contemporary artist and art educator from India. She currently resides and works in Mumbai.[2] Smita holds the position of a lecturer at the Sir J.J. School of Art from 2006.[3] Her style is the use of recycled and treated polymer which includes painting, sculptures, installations and multimedia works. She was coordinator for 1st Mumbai Korea Biennale Beyond the frame.[4] Smita has made contributions to art education, conducting workshops at Arnold School in Germany[5] and participating in Maharashtra State Art College Teacher Workshops at Sir J.J. School of Art.

Education and early life[edit]

She obtained her Bachelor's in Fine Art (painting) from Sir J.J. School of Art, Mumbai, in 1997, followed by a Diploma in Art Education from the same institution in 1999.[2] Kinkale has been a lecturer at Sir J.J. School of Art since 2006, demonstrating her commitment to both her artistic practice and art education.[3]

Career[edit]

In 2015, Smita's debuted her first solo exhibition "Neo Nature" took place at the Jehangir Art Gallery.[1] In 2019, Kinkale presented her second solo exhibition, "C2H4n Encoded Poetry" at the same gallery.[6]

In 2023, Kinkale featured in the Earthrise exhibition at Gallery Desiego.[7] Another exhibition, "Animalia Streifzuge Von Los Angeles bis Mumbai / Animalia. Forays from Los Angeles to Mumbai," took place at Kunsthalle Darmstadt in Berlin, Germany.[8] In the same year, Kinkale presented a dual show titled "Unstructured Pursuit of Perspectives" at Tao Art Gallery in Mumbai.[9] Other group exhibitions include 'The Order Of Things' at Gallery Art Explore in New Delhi in 2017. [10]The artist's early exhibitions in 2014, such as "Silent Windows, "Meher II - Art art," "Art for Cause - II," and 'Painting Dream, Coloring Lives (Mentor ME India),' were held at Gallery 7 in Kalaghoda, Mumbai. [1]Additionally, the artist's participation in the Y.B.Chavan art gallery monsoon show dates back to 1997.[2]In 2017, she participated in the Urusvati Art Camp at the Urusvati Centre for Contemporary Art in Gurgaon. [11]. In 2018 Smita did the curation of "The Moving Finger" at the Inko Centre in Korea, contributing to the global dialogue on contemporary art.[12]

About Works[edit]

Smita's exhibitions pictures her perspectives of artist's of visualising the world around and to create analogy of matters in nature with humans.[13] Smita uses the combination of lines, dots and primitive shapes created through the layers of polyethene to potray her growing up in rural communities and tribal roots. [13]."Smita's works are a combination of layers of material, thoughts and experimentation. Conveyed forward by a creative mind and the investigation of the notions from her childhood, these artworks are a juxtaposition between abstraction and figurative demonstrations" wrote Sanchita Sharma in her new wrote Art Blogazine.[13] Experimenting with cutting and melting plastic sheets, Smita created novel forms that resembled little sculpture models. The process involved the layering of plastic sheets with varied pigmentation, resulting in abstract compositions that captivated viewers. The melting of plastic sheets produced a visual spectacle, akin to watching ingredients melt in a cooking pan, offering a unique and dynamic aesthetic was also mentioned in Art Blogazine.[13]

References[edit]

  1. ^ a b c ".gallery7-artists-profile". Gallery7. Retrieved 2023-12-10.
  2. ^ a b c "Smita Kinkale". Art Of India. Retrieved 2023-12-10.
  3. ^ a b "Members of Faculty | Sir JJ School of Art, Mumbai". www.sirjjschoolofart.in. Retrieved 2023-12-08.
  4. ^ "Mumbai- Korea Biennale".
  5. ^ "AG meets Smita Kinkale! – aus Plastik wird Kunst – Arnold-Gymnasium" (in German). Retrieved 2023-12-08.
  6. ^ https://www.pressreader.com/india/the-free-press-journal/20190323/282368335987204. Retrieved 2023-12-08 – via PressReader. {{cite web}}: Missing or empty |title= (help)
  7. ^ "Earthrise". GALLERY DESIEGO. Retrieved 2023-12-08.
  8. ^ "AnimaliaStreifzüge von Los Angeles bis Mumbai". www.kunsthalle-darmstadt.de. Retrieved 2023-12-08.
  9. ^ "2023". Tao Art Gallery. Retrieved 2023-12-08.
  10. ^ "EXHIBITION "The Order of Things" A group art show at Art Explore, 23 Lakeside, Hauz Khas Village > 11am-7pm on 19th December 2016 to 6th January 2017". Delhi Events. Retrieved 2023-12-10.
  11. ^ "3-day Artists camp at Urusvati draws country's finest talent". 24x7onlinemedia. 2017-04-01. Retrieved 2023-12-08.
  12. ^ "Inko Centre- The Moving Finger" (PDF).
  13. ^ a b c d Blogazine, Art Blogazine Art. "The spontaneous actions that are a result of subconscious reactions reproduce dreams of space, infinite secrets and potential outcomes of another new world - Smita Kinkale". Retrieved 2023-12-10.

External links[edit]

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