Julian Jootaek Kim

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Julian Jootaek Kim
Julian Jootaek Kim, at the red carpet of The 8th Korea Musical Awards
Other NamesKim Jootaek (김주택)
BornSeptember 9, 1986 Seoul, Korea
Alma materMilan Conservatory (BA, MA)
Occupation(s)
  • Opera Singer (Baritone)
  • Crossover group member
  • Musical actor
Years active2009 – present

Julian Jootaek Kim (Korean: 김주택), also known as Julian Kim, is a South Korean baritone opera singer, crossover artist, and musical theater performer. He was born on September 9, 1986. Kim is known for his portrayal of Figaro in the opera Il barbiere di Siviglia in Italy, which he performed more than 70 times,[1] and as the Phantom in a Korean replica production of the musical Andrew Lloyd Webber's The Phantom of the Opera.[2]

Biography[edit]

Julian Kim, an opera singer and musical actor, is an alumnus of Sunhwa Arts School. After completing his high school education in South Korea, Kim continued his studies at the Giuseppe Verdi Conservatory in Milan, Italy, graduating with first-class honors in 2010.

Singing Competitions[edit]

Kim has achieved numerous accolades throughout his career. He secured the Grand Prize in The Korea Voice Competition by the Lee DaeWoong Music Scholarship Foundation[3] and clinched the first place in the Shin Youngok Competition[4] during his high school years in Korea. In Italy, he garnered the Premio Miglior Giovane Promessa (Best Young Promise Prize)[5] in the Renata Tebaldi International Competition in 2007. Additionally, he attained the second place in the Riccardo Zandonai Competition[6] and International Lyric Competition "Magda Olivero"[7] and the first place and the Young Voices Award[8] by the City of Magenta in 2009, followed by the third place[9] in the Francesc Viñas International Singing Competition and the second place[10] in the International Singing Competition Maria Caniglia in 2011. In 2012, he secured second place in the Concorso Internazionale di Canto Lirico Giacinto Prandelli,[11] the International Singing Competition Maria Caniglia,[10] and the Verdian Voices International Singing Competition.[12] Furthermore, he triumphed by achieving first place[13] in the International Singing Competition of Toulouse and the second place[14] in the Viotti International Music Competition. Noteworthy accolades include the fourth place[15] and second place[16] in the Seoul International Music Competition[17] in 2007 and 2013, respectively, alongside the Myung-Whun Chung Miracle Of Music[18] Awards received in Korea in 2011.

Opera Repertoire[edit]

Kim's debut took place in 2009 at the Teatro Pergolesi in Jesi, Italy, where he performed as Figaro in Il barbiere di Siviglia.[19] He has since portrayed leading roles in various renowned operas, including La Traviata, The Marriage of Figaro, Madame Butterfly, Cavalleria Rusticana, Cosi fan tutte, Il barbiere di Siviglia, Simon Boccanegra, Pagliacci, Lucia di Lammermoor, La Bohème, and Rigoletto across multiple theaters in Italy.

Julian Kim has portrayed the character Figaro[20] during the 2014–2020 season at Teatro La Fenice, featuring in 47 out of a total of 60 performances of Il Barbiere de serville.[21][22][23][24][25][25] Furthermore, he participated in 20 out of 27 performances of La Bohème[26] during the same season at Teatro La Fenice, embodying roles such as Marcello or Schaunard. Kim collaborated extensively with Maestro Myung-Whun Chung and also had the privilege of working with renowned conductors like Sir Antonio Pappano, Roberto Polastri, Daniel Oren, Jader Bignamini, Riccardo Frizza, Stefano Ranzani, Daniele Rustioni, Francesco Cilluffo, Gregory Kunde, and Juraj Valčuha. His performances primarily took place in Italy, notably at Teatro La Fenice in Venice, Teatro del Maggio Musicale Fiorentino in Florence, Teatro dell'Opera di Roma, and Terme di Caracalla in Rome. He also showcased his talent in Korea, as well as in other countries such as Germany, China, Austria and Peru.

Composer Title Role Conductors
Ludwig van Beethoven Fidelio Don Fernando Sir Antonio Pappano[27]
Vincenzo Bellini I puritani Riccardo Giacomo Sagripanti,[28] Matteo Beltrami,[29] Jader Bignamini[30]
Gaetano Donizetti L'elisir d'amore Belcore Andrea Battistoni,[31][32][33] Francesco Cilluffo,[34][35] Jader Bignamini,[36] Joo-Hyun Kim,[37] Michele Gamba[38] Roberto Polastri,[39] Rosetta Cucchi[40]
Lucia di Lammermoor Lord Enrico Ashton Carlos Izcaray,[41] Fabrizio Maria Carminati,[42] Matteo Beltrami[43][44]
Pietro Mascagni Cavalleria Rusticana Alfio Mauro Trombetta[45]
Giacomo Puccini La Bohème Marcello Daniel Carter,[46] Daniel Oren & Francesco Ivan Ciampa,[47] Daniele Rustioni,[48] Diego Matheuz,[49] Jader Bignamini,[50] Ki Sun Sung,[51] Maurizio Barbacini,[52] Paolo Arrivabeni,[53] Stefano Ranzani,[54] Francesco Lanzillotta[55]
Schaunard Myung-Whun Chung,[56] Maurizio Barbacini[52]
Madama Butterfly Sharpless Nicola Marasco,[57][58] Juraj Valčuha[57]
Gioachino Rossini Il Barbiere di Siviglia Figaro Alessandro D'Agostini,[59][60][61][62] Carlo Tenan,[63] Donato Renzetti,[64] Francesco Ivan Ciampa & Marco Paladin,[65] Giampaolo Maria Bisanti,[66] Giovanni Battista Rigon,[67] Gregory Kunde & Sesto Quatrini,[68] Stefano Montanari & Marco Paladin[69]
Giuseppe Verdi Attila Ezio Riccardo Frizza[70]
Don Carlo Rodrigo Myung-Whun Chung[71]
Giovanna d'Arco Giacomo Riccardo Frizza[72]
La Traviata Barone Douphol   Giampaolo Maria Bisanti,[73] Sebastiano Rolli[74] Francesco Ivan Ciampa[75]
Simon Boccanegra Paolo Albiani Myung-Whun Chung[76][77]

Phantom Singer (TV Program)[edit]

Phantom Singer is a television show on JTBC in Korea that functions as an audition program to select a male crossover vocal quartet. Season 1 of the show aired from November 11, 2016, to January 27, 2017.

He mentioned feeling his heart race while watching Phantom Singer 1, leading to a realization that he needed a change in his life.[78][79] Despite his deep involvement in numerous operas in Italy that he cherished, he yearned to explore various genres of singing. His colleagues in the classical field, as well as his parents, were worried that his exposure to popular music could harm his career in opera when he decided to participate in Phantom Singer 2. Kim chose to be on the show to broaden the listener pool of classical music, believing that music is for anyone who enjoys it regardless of the genre.[80]

In the previous season 1, there were singers with classical training from Korea, Italy, and the USA, but none were working in the opera scene abroad. In season 2, about half of the 32 finalists were classically trained, with one graduate student who was a bass-baritone from Germany. Julian Jootaek Kim was referred to as 'the world-famous opera star' on the show, with one judge questioning why he chose to join.[81]

Ultimately, he emerged as a runner-up and joined a group named Miraclass[82] - a title derived from blending "miracle" and "class," signifying their commitment to delivering an extraordinary reinterpretation of classical music or exceptional excellence in music. Following the show, his schedule was packed with commitments as a crossover singer in Korea and an opera singer in Italy. During this time, he performed in various productions in Italy, including La bohème, I puritani, La traviata, L'elisir d'amore, Don Carlo, and Il barbiere di Siviglia, as well as in a production of La bohème in Germany, spanning the period between the end of Phantom Singer season 2 and the start of season 3.[83][84]

His continued success in Italian opera was a significant encouragement for the production team of Phantom Singer as they prepared for the next season. They held auditions in Europe to recruit participants for Season 3, emphasizing the importance of 'finding talents like Julian Jootaek Kim'.[85] A surge of classical vocalists in higher education and opera houses abroad auditioned for Seasons 3 and 4. Among the final participants in Season 3 and Season 4, a notable number were from higher education or associated with opera houses. In particular, Canada-based countertenor David Dong Qyu Lee in Season 4 was a big surprise due to his fame and prolific career in opera.[86] The classical and crossover concerts performed by those from Phantom Singer saw top ticket sales, attracting the general public to these classically-oriented events.[87][88]

Miraclass[edit]

Miraclass, the crossover group, is composed of Julian Jootaek Kim, Phillip Jeong, Kang-hyeon Park, and Tae-in Han. The group released a full album titled 'Romantica'[89] in 2018 and actively participated in Phantom Singer concerts[90] along with hosting their own concerts[91][92] from 2017 to 2020 in Korea. Julian Kim frequently traveled between Korea and Italy, performing notably at Teatro La Fenice, Italy, before the COVID-19 outbreak.

During the COVID-19 quarantine period, JTBC aired a program called Phantom Singer All Stars, where the three finalist quartet teams from the previous three seasons competed or showcased their performances to online audiences. Miraclass excelled in this show, securing numerous wins, including one MVP by performing a rendition of Josh Groban's song Mai,[93] in the competitions among the nine participating groups. Kim also collaborated with other singers in the program, such as Jo Mingyu of Forestella and Yoo Seul-gi of Duetto.

Since their formation on September 26, 2017, Miraclass has actively hosted concerts, released full albums, and engaged with their audience through a YouTube channel named Just-10-minute produced by mexicomini52. On the channel, they partake in various challenges and provide glimpses into their bond, friendship as well as daily lives and camaraderie.

Concerts[edit]

Kim has taken part in 20 concerts linked to Italian opera across different countries such as Italy,[94][95][96] Russia,[97] Austria,[98] Japan,[99][100] and Korea.[101] These performances included collaborations with conductors Edoardo Müller, Pietro Mianiti, and Marco Boemi. Additionally, he has engaged in classical concerts alongside opera singers and crossover events in Korea, totaling over 100 concerts,[102] excluding those with the crossover group Miraclass.

In concert adaptations of Das Rheingold under the baton of Myung-Whun Chung in Seoul in 2014,[103] and Fidelio conducted by Sir Antonio Pappano in Rome in 2016,[104] Kim assumed the roles of Donner and Don Fernando, respectively. He has been a prominent soloist in concerts overseen by Myung-Whun Chung. Notably, he was one of 8 soloists in Mahler's Symphony No. 8 performed by the Seoul Symphony Orchestra in 2011,[105] and the sole male soloist for the Expo 2012 Concert in 2012,[106] both under the direction of Myung-Whun Chung.

Kim was actively involved in concerts and operas in Korea during the early 2010s. However, his significant introduction to the Korean audience was perhaps through the 'Baritone Julian Jootaek Kim Recital (Korean: 바리톤 김주택 리사이틀)' in 2015 in Seoul.[107] This recital featured a diverse range of pieces, including works by composers like F. Schubert, J. P. E. Martini, G. Giordani, F. P. Tosti, S. Gastaldon, and F. Chopin, alongside arias from Lucia di Lammermoor and L'elisir d'amore by G. Donizetti, Don Giovanni by W. A. Mozart, and Giovanna d'Arco and La Forza del Destino by G. Verdi.[108] Kim's standout performance in this recital led to him receiving the Best New Artist Award at the 2nd Seoul Art Center Award in 2016.[109]

The With Concert was initiated with the goal of offering performance opportunities to talented individuals with developmental disabilities and Shinhan Music Awardees in Korea.[110] This was made possible through a partnership agreement between Deoksugung Palace Management of Cultural Heritage Administration, and the Heart-Heart Foundation. Kim, the inaugural winner of the Shinhan Music Award,[111] performed as part of this collaboration.[112]

Korea is a country with highly concentrated metropolitan areas and other regions facing declining populations.[113] Through the Ministry of Culture, Sports and Tourism and the Korean Culture and Arts Centers Association, the Korean government introduced the '방방곡곡 문화공감' program, promoting cultural empathy across diverse landscapes.[114] This initiative aimed to bring a variety of cultural performances to stages in smaller cities and rural areas across Korea, with a focus on including at least 30% of underprivileged individuals in the audience.[115] Kim, along with his Miraclass teammate Tenor Phillip Jeong, magician Hyungbae Choi, Soprano Veronica Yoo, and the BeHa Philharmonic Orchestra, actively participated in the program.[116] Traveling to 10 cities throughout Korea in 2022 and 2023, this interdisciplinary team showcased a mix of opera arias, Korean traditional songs, Spanish and Italian melodies, musical pieces with orchestral accompaniment, and magic acts.[117][118][119] The program received overwhelming praise, enhancing the classical music experience and fostering cultural connections with an enthusiastic audience.

In Korea, the staging of operas is limited due to a lack of public interest.[120][121][122] For instance, in 2023, there were only 17 opera productions, 7 in Daegu, 2 in Seongnam and 8 in Seoul, with a total of 56 performances.[123] Instead, concerts and instrumental performances featuring popular arias tend to attract more public attention. As part of efforts to modernize opera, 'The Taming of Casanova,' an opera collage featuring famous arias from diverse operas, was created.[124][125] Kim participated in this innovative project from 2016 to 2019 with the aim of drawing a larger audience to the classical music domain.[126][127]

In 2019, Kim presented two additional recitals.[128][129] Following a fan concert in 2021,[130] he now regularly hosts a set of concerts titled 'Baritone Julian Jootaek Kim's Music Library,' featuring performances of opera arias, classical tunes, Italian canzones, musical numbers, and Korean songs.[131][132][133][134]

Musical career[edit]

In late February 2020, due to COVID-19, all operas were canceled in Italy, forcing Kim to stay in Korea. With the situation slightly better in Korea, musical performances were allowed with stringent COVID-19 protocols. During this period, Kim attended the musical shows of his Miraclass teammate, Kang-hyeon Park, sparking a renewed interest in musical theater.

Later, he auditioned online for the Korean production of The Phantom of the Opera produced by the Really Useful Group and was selected as one of the four phantoms for the 2023–2024 production.[135] His debut performance occurred on March 28, 2023, in Busan,[136] followed by 31 performances in Seoul[137] and 21 in Daegu,[138] totaling 82 performances.

For his outstanding portrayal of the Phantom, he received The New Male Actor Award[139] at the 8th Korea Musical Awards in January 2024.

Currently, Julian Kim is portraying Pierre Bezukhov in the Korean production of the musical Natasha, Pierre, and the Great Comet of 1812 from March to June in 2024.[140]

Year Date Title Role Venue Number of performances
2023 30 Mar - Jun 18 The Phantom of the Opera The Phantom Dream Theater, Busan, Korea 30
2023 14 Jul - 17 Nov The Phantom of the Opera The Phantom Charlotte Theater, Seoul, Korea 31
2023-2024 22 Dec - 4 Feb The Phantom of the Opera The Phantom Keimyung Art Center, Daegu, Korea 21
2024 26 Mar -  Jun 16 Natasha, Pierre & The Great Comet of 1812 Pierre Bezukhov Universal Art Center, Seoul, Korea 33

Fandom[edit]

His given name, Jootaek, shares an identical pronunciation with the Korean word for "house." After gaining a dedicated following in Korea post-Phantom Singer 2, Kim established a fan cafe named 'The House Complex (Korean: 주택단지),'[141] a title that remains in use, where the fans are referred to as residents. He consistently expresses his gratitude and affection towards the residents of the House Complex.

Awards and recognition[edit]

He won the Best New Artist Award at the Seoul Arts Center award in 2015 [142] and Best New Actor Award at the 8th Korean Musical Awards in 2023.[143]

Awards[edit]

Year Award Category Work Result
2015 SAC (Seoul Arts Center) Awards, Korea Best New Artist Baritone Julian Jootaek Kim Ricital

(May 31, 2015)

Won
2024 The 8th Korea Musical Awards Best New Male Artist The Phantom in the musical The Phantom Of The Opera Won

Voice[edit]

Julian Kim is known as a Verdian baritone.[144] In his youth, he attempted to imitate Piero Cappuccilli, who could sing four phrases in a single breath and cover the tenor range. Kim can hit A4[145] and is often likened to Cappuccilli.[146] His voice is commonly described as a Verdi baritone,[147] characterized by warmth,[145] resonance,[148] and excellent phrasing[149][150] and tone[151] in Italian operas. During the Verdi competition, Leo Nucci remarked to him, 'Lui canta come dio,' meaning 'He sings like a god.'[152]

Discography[edit]

Albums[edit]

Title Details Peak Chart Position Sales
KOR
Verdi: Giovanna d'Arco (Live) * Released: March 25, 2016

* Label: Dynamic srl, Italy

* Artists: Jessica Pratt/Jean-Francois Borras/Julian Kim

* Choir: Coro del Teatro Petruzzelli di Bari

* Conductor: Riccardo Frizza

* Orchestra: Orchestra Internazionale d'Italia

* Composer: Giuseppe Verdi

* Formats: DVD/Blueray, digital download

　 　
Italiana * Released: June 5, 2019

* Label: Arts & Artists, Decca Records, Korea

* Formats: CD, digital download

2 1,547

Extended Plays[edit]

Title Details Peak Chart Position Sales
KOR
Monologue * Release date: July 1, 2022

* Label: Library Company, Danal Entertainment

* Formats: digital download

　 　

Singles[edit]

Title Year Details
Heart Flower (마음꽃) 2009 Original Sound Track of TV drama, The Iron Empress (천추태후),[153] two versions
Non Ti Scordar Di Me 2019 * Release date: May 31, 2019

* Label: Arts & Artists, Decca Records

* Formats: digital download

Participation releases[edit]

Title Year Details
Chanson Romanesque (Don Quichotte à Dulcinèe) 2008 La Musica E Il Bene - Stagione 2006/2007

* Label: Suonare Records, Italy

* Artists: Various Artists

Chanson Epique (Don Quichotte à Dulcinèe)
Chanson à Boire (Don Quichotte à Dulcinèe)
Schubert: Drei Gesange, D. 902: 12. L'ncanto degli Occhi 2015 Korean Young Musicians

* Label: KBS Classic FM, Aulos Media, Korea

* Artists: Seil Kim & Julian Jootaek Kim

Drei Gesange, D. 902: Ll traditor deluso
Drei Gesange, D. 902: Il modo di prender moglie
Obradors: La mi sola, Laureola from Canciones Clasicas Espanolas
Del cabello mas sutil from Canciones Clasicas Espanolas
Verdi: Morte di Rodrigo e Sommossa from Don Carlo
Alfin questo corsaro...Cento leggiadre vergini from Il corsaro
A Flower Blooms (마음꽃) 2017 Phantom Singer 2, Episode 3[154]

* Korea Copyright Commission No 100001663354

* JTBC (TV program)

Donizetti: Bella Siccome Un Angelo, Don Pasquale 2019 The Taming of Casanova

* Label: Universal Music

* Artists: Hyun Soo Kim, Jeong Phillip, Julian Kim, Benjamin Cho, Woo Rim Ko, Korea Coop Orchestra & Doc-Ki Kim

Mozart: Finch'han Dal Vino, Don Giovanni
Thomas: O vin. dissipe la tristesse, Hamlet
Yours (너의것[155]) 2021 Phantom Special Concert Recording[154]

* Korea Copyright Commission No 100004242098

* Seoul Arts Center

Liberation Army Arirang 2021 Songs of Independence Army

* Independence Hall of Korea, Cheonan, Korea

* Recorded at AUDIOGUY[156]

* Artists: Cheonan City Philharmonic Orchestra[157]

Notable performances[edit]

Since Kim's opera debut performing Il Barbiere di Siviglia, he has performed it 75 times in various cities across Italy.[1] One of the most favored arias in his concerts is "Largo al factotum," beloved by both the artist himself and the audience.[20] As he humbly stated that he might not have been able to pass as an Italian in everyday conversation, he could sing like an Italian if he tried hard on diction and enunciation.[158] It was not easy to be in Italian opera with a different mother tongue, as proven by the fact that there were only three other Korean Figaros in Il Barbiere di Siviglia performed in Italy following his footsteps as of May 2024.[159][160][161] The praise or mere acceptance was a big success. Continuous performance opportunities as Figaro, who needed to sing "Largo al factotum" full of rap-like tongue twisters, were the assurance of his success as an opera singer in Italy. Topping it off, the reviews of his Figaro performance stated: 'Julian Kim is Figaro: the Korean baritone would perhaps be more at ease in singing parts; the diction was not always exact, but the high notes were beautiful, the accent was lively, and the color of the voice remained beautiful,'[162] and 'The artistic direction, spearheaded by Cristiano Sandri, made unexpected choices in forming an excellent cast, well blended in terms of both vocal quality and stage presence. The result is a brilliant Figaro, vocally very well set up, portrayed by the South Korean Julian Kim.'[163]

Fidelio, the sole opera composed by Ludwig van Beethoven, was presented in Rome's Sala Santa Cecilia in Parco della Musica, conducted by Sir Antonio Pappano[164] in 2016. This German opera graced an Italian theater stage in a concert format. Julian Kim took on the role of the king's minister, Don Fernando. Despite being the youngest among the performers, Kim portrayed his character with a commanding presence fitting of the highest rank. In critics' reviews, Julian Kim was praised as 'The still very young baritone from South Korea Julian Kim offered a surprise as the beautifully singing Don Fernando. A real cavalier baritone, who is currently studying in Milan, gave a tremendous test of talent and also with an almost Austrian German diction! You should remember this name'[165] and 'Julian Kim's Don Fernando is seraphic, above all thanks to a soft timbre and soft phrasing that distinguish Korean.'[166]

Following the record-breaking flood in Venice in 2019,[167] Don Carlo was staged at Teatro La Fenice amidst challenges. The theater's electrical facilities were damaged,[168] preventing performers from rehearsing on-site.[169][170] Concerns arose whether the repairs could be completed in time for the opera's premiere. Against the odds, the opera opened as scheduled under the baton of Maestro Myung-Whun Chung, serving as a symbolic triumph over adversity.[144] Julian Kim portrayed Rodrigo, the Marquis of Posa, in this production. The critiques highlight: 'Excellent performance by Julian Kim (Posa), who possesses a remarkable voice, characterized by its dark timbre and skilled modulation between forte and piano.'[171] Also stated: 'Among the performers, the most Verdian voice, exemplifying weight and solidity, belongs to baritone Julian Kim, notable for his portrayal as the Marquis of Posa, a role that received substantial directorial attention.'[147] Furthermore, 'The Korean baritone, Julian Kim, excelled in his role as Rodrigo, showcasing outstanding vocal prowess. His well-supported singing voice, with its appealing timbre, coupled with secure phrasing enriched by subtle accents, added depth to his character portrayal. Additionally, his mastery in crafting the vocal line imbued his singing with a natural lyrical quality that was pleasing to the ear.'[150]

Having established a successful career in the operatic realm, the expansion into musical theater came as a surprising development to the general public, yet was anticipated by his fans. His maiden venture in the musical domain saw him assume the role of the Phantom in Andrew Lloyd Webber's The Phantom of the Opera in Korea in 2023. Given the Phantom's vocal requirements, which could encompass operatic or legit high baritone styles, this debut role proved optimal for him. Embracing techniques tailored for musical theater, including the use of microphones,[172] Kim delivered a commanding portrayal of the Phantom.[173] His performance earned him the Best New Male Artist Award at The 8th Korea Musical Awards,[174] a recognition bestowed upon actors who made their debut in Korean musical theaters within the past three years.

Kim is frequently invited to perform during national ceremonies in Korea and at ceremonial concerts in both Italy and Korea.[175]

Influences[edit]

He admired Piero Cappuccilli, who was known for his extended phrasing and resonant high notes, qualities not commonly found in a baritone. Being likened to the esteemed Piero Cappuccilli was regarded as a flattering compliment to him.[146] He also holds deep admiration and respect for Maestro Myung-Whun Chung, with whom he frequently collaborates in operatic performances[176][177][178] and concerts.[179][180][181][182]

References[edit]

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